HIGH
Sir George Robey, Finsbury Park - 9th
November
So here we are, nearing oblivion nearly one year on and what
has changed? A lot: no more Paul (although I observed him
crossing Blackfriars bridge in a Northern direction at lunchtime
this very day), and they've now mutated into a Gibson/Marshall
Heavy Psychedelic Rock outfit. The music's now labelled "Death
Acid Rock" as opposed to the HSNTF tour's "Psychedelic Acid
Trash Metal" and they've certainly grown in confidence along
the way. Other than that, its basically going to be another
Acolytes gig - though the non-appearance of the Theydon crew
is a bit of a downer. Perhaps it's only to be expected given
the level of the performance at the Centrepoint melee just
one week ago. Well, at least there's more room...
The tub-thumping tribal beat announces the arrival onstage
of The Royal Drummers Of Burundi and - oh no, it's just the
Acolytes, with 'new' song "Ethnic"; wailing guitar (sound
familiar?), graunching bass and rhythm guitar and the song
already looks like a classic after what, two, three showings?
The two gigs, though within the space of just one week, could
not have been more different - mainly due to the amount of
alcohol consumed by Alastair, no doubt. Tonight's show is
raucous, rehearsed (!) and actually quite superb. There is
no falling over onstage, no interruptions, no hideously tuned
guitars and no stupid antics - not their side of the stage
anyhow. Possible exception here is where Andy dances with
his mike stand, uprights it, and dances with its feet instead
- really quite clever actually - what a showman!!
The set has developed - new songs here and there mean the
exclusion of "Get Down", "San Francisco" and "Meet Me". Instead
we're treated to "Newie", "Newboid's" and the trash closing
of "Far Out".
Halfway through it is quite obvious that tonight's gig is
more than just the "apology for the last one" that Andy promised
(if they were to carry on like that would they ever play their
second gig?) and finally, we're treated to something approaching
the form that we were promised way back at St. Margaret's
so long ago now. The show is impressive: lights, smoke and
sound combining in a raspberry flavoured... oh, something
literary and poetic that sounds really impressive. Pity that
they're not using the old backdrop anymore...
As the set moves ever onwards, we hear of complaints in the
bar of staff not being able to see what they're doing and
a glance 'round the corner confirms the impressively low visibility.
The venue's own lighting is complemented well by the band's
own, now rather large collection of various visual delights
and the excellent sound belays all fears of the 'Sir George
Ropey'. Even Cath notices the difference in sound, as she
later remarks to Mike:
"It sounded different..."
"Yeah, 'cos we weren't using our own amps."
The only complaint is that the set is curtailed slightly
due to time and as a result a couple of the trashier numbers
are performed adjacently, without the intervention of one
of the poppier ones to allow the recovery of the old eardrums.
Perhaps it's just that 'Far Out' should be a short and sweet
assault on the senses as opposed to the overblown... er, well
whatever...
The slightly thin crowd is visibly impressed by the Acolytes'
showing tonight and they receive their most enthusiastic reception
from a neutral audience yet, who clap enthusiastically and
are occasionally even moved to cheering. As with the Leeds
night, it's "Crazy Horses" that exacts the greatest
response.
The evening ends with a lift back from dodgy rhythm guitarist
"Mad" Mike Cheddarcheez and some even dodgier street racing.
Set: Ethnic, LFDY, Trans European Excess, Body, Crazy
Horses, Newboid's, King Of California, 3-0-0-1, Far Out
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